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Daisy Bates and Lorraine Hansberry at “Village Rallies for NAACP,” in Washington Square Park, June 13, 1959.
01.15.2018

Erin Trahan, for WBUR Boston, interviews Joi Gresham, the executive director of the Lorraine Hansberry Literary Trust, about the upcoming biopic, Lorraine Hansberry: Sighted Eyes/Feeling Heart.

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Lorraine Hansberry leans over her typewriter at her Greenwich Village apartment on Bleecker Street.
01.13.2018

Mary Mitchell's Chicago Sun Times column, "New Lorraine Hansberry biopic worth every year, every penny, it took," focuses on the upcoming documentary, Lorraine Hansberry: Sighted Eyes/Feeling Heart, set to debut on PBS stations across the United States on Friday, January 19, 2018.

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Lorraine Hansberry was the first African-American woman to have a play produced on Broadway, with “A Raisin in the Sun.”
01.12.2018

Salamishah Tillet's essay, "For Lorraine Hansberry, 'A Raisin in the Sun Was Just the Start," discusses the upcoming debut of the documentary, Lorraine Hansberry: Sighted Eyes/Feeling Heart, noting Hansberry's commitment to the ongoing project of social change.

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Image of Lorraine Hansberry: Seeing Eyes/Feeling Heart official selection Toronto International FIlm Fesitival
09.08.2017

Screening tonight in Toronto! On Friday, September 8, 2017, the world premiere of Lorraine Hansberry: Sighted Eyes/Feeling Heart, a documentary about playwright Lorraine Hansberry, opens as an OFFICIAL SELECTION at the Toronto International Film Festival.

Written and directed by Tracy Heather Strain, the film is narrated by award-winning actress LaTanya Richardson Jackson and features the voice of Tony Award-winning actress Anika Noni Rose as Lorraine Hansberry.

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04.29.2014

The Broadway revival of Lorraine Hansberry’s classic play picks up five Tony nominations.

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04.10.2014

Jesse Green of New York Magazine/Vulture applauds the Broadway revival of A Raisin in the Sun—with a star who knows what to do in the role.

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04.10.2014

Terry Teachout's review of the 2014 Broadway revival of A Raisin in the Sun for the Wall Street Journal says this is "a great production of a great play, a blazing tale of hurt and hope that will burn itself so deeply into your heart that you'll be feeling its heat for a long, long time to come."

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04.10.2014

In his review for The Wrap, Robert Hofler says: Denzel Washington shifts the balance of Lorraine Hansberry's classic play, and he shifts it in the right direction.

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04.07.2014

Darlene Ortega's review for the Portland Observer of the Oregon Shakespeare Festival production of Lorraine Hansberry's The Sign in SIdney Brustein's WIndow notes that, "The play is so far ahead of its time that I wonder if we are ready even now for the prophetic insight of Ms. Hansberry, so famously young, gifted, and black. But I'm grateful that the Oregon Shakespeare Festival has gone to the trouble to offer us this opportunity."

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04.04.2014

Marilyn Stasio says, “The performance is a personal triumph for Washington, who refrains from star-strutting to fold himself into a tight-knit ensemble of committed stage thesps who treat this revival like a labor of love.”

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