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In Her Own Words
Obviously, the most oppressed group of any oppressed group will be its women, who are twice oppressed. So I imagine that they react accordingly: as oppression makes people more militant, women become twice militant, because they are twice oppressed.
Lorraine Hansberry. “Interview with Lorraine Hansberry by Studs Terkel.” Radio interview with Studs Terkel, broadcast on WFMT Radio, Chicago, Illinois, May 12, 1959. Transcript reprinted in “Make New Sounds: Studs Terkel Interviews Lorraine Hansberry.” American Theater (November 1984): 6.
It is in the nature of men to take life for granted; only the absence of life will seem to you the miracle, the greatest miracle—and by the time you understand that it should be the other way around—well, it will be too late, it won’t matter then.
Lorraine Hansberry. From What Use are Flowers? in Les Blancs: The Collected Last Plays. Includes The Drinking Gourd and What Use are Flowers? Edited, with critical background by Robert Nemiroff, with a Foreword by Jewell Handy Gresham Nemiroff and an Introduction by Margaret B. Wilkerson, 254. New York: Vintage Books, 1994.
Look at the world that awaits you!
Lorraine Hansberry, “The Nation Needs Your Gifts” speech to the Readers Digest/United Negro College Fund creative writing contest winners, May 1, 1964.
As one raised in a subculture experience (I am a Negro) where those within were and are forever lecturing to their fellows about how to appear acceptable to the dominant social groups, I know something about the shallowness of such a view in and of itself…what ought to be clear is that one is oppressed or discriminated against because one is ‘different’, not ‘wrong’ or ‘bad.’ This is perhaps the bitterest of the entire pill.
Lorraine Hansberry, letter to The Ladder, Vol. 1 No. 8 (May, 1957).
The supreme test of technical skill and creative imagination is the depth of art it requires to render the infinite varieties of the human spirit—which invariably hangs between despair and joy.
To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.xvii. NJ: Prentice-Hall, 1969.
I'm glad as heck that you exist. You are obviously serious people and I feel that women, without wishing to foster any strict separatist notions, homo or hetero, indeed have a need for their own publications and organizations. Our problems, our experiences as women are profoundly unique as compared to the other half of the human race. Women, like other oppressed groups of one kind or another, have particularly had to pay a price for the intellectual impoverishment that the second class status imposed on us for centuries created and sustained. Thus, I feel that The Ladder is a fine, elementary step in a rewarding direction.
Lorraine Hansberry. Letter, signed LHN, originally published in The Ladder Vol. 1 No. 8 (May 1957): 26, 28. Reprinted in The Ladder Vol. I and II. Introduction by Barbara Grier (Gene Damon, pseudonym). NY: Arno Press, 1975.
Children see things very well sometimes—and idealists even better.
Asagai to Beneatha, Act III. Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely.
Lorraine Hansberry writing in her journal, May 1, 1962. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff, with an introduction by James Baldwin, p.137. NJ: Prentice-Hall, 1969.
Considering Mattachine, Bilitis, ONE, all seem to be cropping up on the West Coast rather than here [on the East Coast] where a vigorous and active gay set almost bump one another off the streets—what is it in the air out there? Pioneers still? Or a tougher circumstance which inspires battle?
Lorraine Hansberry.. Letter, signed LHN, originally published in The Ladder Vol. 1 No. 8 (May 1957): 26, 28. Reprinted in The Ladder Vol. I and II. Introduction by Barbara Grier (Gene Damon, pseudonym). NY: Arno Press, 1975.
[T]here is only one large circle that we march in, around and around, each of us with our own little picture—in front of us—our own little mirage that we think is the future.
Beneatha to Asagai, Scene III. Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.