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In Her Own Words
I sit at this desk for hours and hours and sharpen pencils and smoke cigarettes and switch from play to play—Sidney, Touissant, Les Blancs and—nothing happens. I begin to think more and more of doing something else with my life while I am still young. I mean, almost anything—driving an ambulance in Angola or running a ski lodge in upstate New York, instead of this endless struggle. I expect the theatre will kill me.
Lorraine Hansberry, Journal entry, September 16, 1964.
Mama—Mama—I want so many things…I want so many things that they are driving me kind of crazy...
Walter to Mama, Act I Scene II. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
A device is a device, but. . .it also has consequences: once invented it takes on a life, a reality of its own. So, in one century, men invoke the device of religion to cloak their conquests. In another, race. Now, in both cases you and I may recognize the fraudulence of the device, but the fact remains that a man who has a sword run through him because he refuses to become a Moslem or a Christian—or who is shot in Zatembe or Mississippi because he is black—is suffering the utter reality of the device. And it is pointless to pretend that it doesn’t exist—merely because it is a lie!
Tsembe to Charlie, Act Two, Les Blancs. In Lorraine Hansberry, Les Blancs: The Collected Last Plays. Includes The Drinking Gourd and What Use are Flowers? Edited, with critical background by Robert Nemiroff. With a Foreword by Jewell Handy Gresham Nemiroff and an Introduction by Margaret B. Wilkerson. Edition. New York: Vintage Books, 1994.
Seems like God don’t see fit to give the black man nothing but dreams—but He did give us children to make them dreams seem worthwhile.
Mama to Ruth, Act III. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
I think that imagination has no bounds in realism—you can do anything which is permissible in terms of the truths of the characters. That’s all you have to care about.
Lorraine Hansberry. “Interview with Lorraine Hansberry by Studs Terkel.” Radio interview with Studs Terkel, broadcast on WFMT Radio, Chicago, Illinois, May 12, 1959. Transcript reprinted in “Make New Sounds: Studs Terkel Interviews Lorraine Hansberry.” American Theater (November 1984): 6.
When you starts measuring somebody, measure him right…Make sure you done take into account what hills and valleys he come through before he got wherever he is.
Mama to Beneatha, Act III. In Lorraine Hansberry, A Raisin in the Sun. With an introduction by Robert Nemiroff. NY: Vintage, 2004.
It is in the nature of men to take life for granted; only the absence of life will seem to you the miracle, the greatest miracle—and by the time you understand that it should be the other way around—well, it will be too late, it won’t matter then.
Lorraine Hansberry. From What Use are Flowers? in Les Blancs: The Collected Last Plays. Includes The Drinking Gourd and What Use are Flowers? Edited, with critical background by Robert Nemiroff, with a Foreword by Jewell Handy Gresham Nemiroff and an Introduction by Margaret B. Wilkerson, 254. New York: Vintage Books, 1994.
I don’t think people start out in this world to be bad. They start out to be happy.
Lorraine Hansberry, letter to The Ladder, 1957.
I would very much like to live in a world where some of the monumental problems could at least be solved; I'm thinking, of course, of peace. That is, we don't fight. Nobody fights. We get rid of all the little bombs-- and the big bombs.
Lorraine Hansberry. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.253–254. NJ: Prentice-Hall, 1969.
If anything should happen—before ‘tis done—may I trust that all commas and periods will be placed and someone will complete my thoughts—This last should be the least difficult—since there are so many who think as I do—
Lorraine Hansberry, undated. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p. 261. NJ: Prentice-Hall, 1969.