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In Her Own Words
I think, then, that Negroes must concern themselves with every single means of struggle: legal, illegal, passive, active, violent and non-violent. That they must harass, debate, petition, give money to court struggles, sit-in, lie-down, strike, boycott, sing hymns, pray on steps—and shoot from their windows when the racists come cruising through their communities.
Lorraine Hansberry, letter to white southerner Kenneth Merryman on April 27, 1962. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.213–214. NJ: Prentice-Hall, 1969.
Quite simply and quietly as I know how to say it: I am sick of poverty, lynching, stupid wars and the universal mal-treatment of my people and obsessed with a rather desperate desire for a new world for me and my brothers. So dear friend [sic] I must go to jail.
Lorraine Hansberry, Letter to Dear Edythe, New York City, 1951. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p. 83. NJ: Prentice-Hall, 1969.
. . .It grows out of a thought of mine, as I study history, that virtually all of us are what circumstances allow us to be and that it really doesn’t matter whether you are talking about the oppressed or the oppressor. An oppressive society will dehumanize and will dehumanize and degenerate everyone involved—and in certain very poetic and very true ways at the same time it will tend to make if anything the oppressed have more stature—because at least they are arbitrarily placed in the situation of overwhelming that which is degenerate—in this instance the slave society—so that it doesn’t become an abstraction. It has to do with what really happens to all of us in a certain context.
Lorraine Hansberry, unpublished transcript of “Playwright at Work” interview by Frank Perry for the National Educational Television Broadcasting System (PBS), WNET/Channel 13 NYC, May 21, 1961.
I would very much like to live in a world where some of the monumental problems could at least be solved; I'm thinking, of course, of peace. That is, we don't fight. Nobody fights. We get rid of all the little bombs-- and the big bombs.
Lorraine Hansberry. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.253–254. NJ: Prentice-Hall, 1969.
The ‘why’ of why we are here is an intrigue for adolescents. The ‘how’ is what command the living which is why—I have lately become an insurgent again!
Sidney to David, Act II [two], Lorraine Hansberry, The Sign in Sidney Brustein’s Window with an Introduction by Robert Nemiroff. NY: Vintage, 1995.
I think that imagination has no bounds in realism—you can do anything which is permissible in terms of the truths of the characters. That’s all you have to care about.
Lorraine Hansberry. “Interview with Lorraine Hansberry by Studs Terkel.” Radio interview with Studs Terkel, broadcast on WFMT Radio, Chicago, Illinois, May 12, 1959. Transcript reprinted in “Make New Sounds: Studs Terkel Interviews Lorraine Hansberry.” American Theater (November 1984): 6.