Lorraine Hansberry Literary Trust

. . .It grows out of a thought of mine, as I study history, that virtually all of us are what circumstances allow us to be and that it really doesn’t matter whether you are talking about the oppressed or the oppressor. An oppressive society will dehumanize and will dehumanize and degenerate everyone involved—and in certain very poetic and very true ways at the same time it will tend to make if anything the oppressed have more stature—because at least they are arbitrarily placed in the situation of overwhelming that which is degenerate—in this instance the slave society—so that it doesn’t become an abstraction. It has to do with what really happens to all of us in a certain context.

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I would very much like to live in a world where some of the monumental problems could at least be solved; I'm thinking, of course, of peace. That is, we don't fight. Nobody fights. We get rid of all the little bombs-- and the big bombs.

Lorraine Hansberry. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p.253–254. NJ: Prentice-Hall, 1969.

The ‘why’ of why we are here is an intrigue for adolescents. The ‘how’ is what command the living which is why—I have lately become an insurgent again!

Sidney to David, Act II [two], Lorraine Hansberry, The Sign in Sidney Brustein’s Window with an Introduction by Robert Nemiroff. NY: Vintage, 1995.

I think that imagination has no bounds in realism—you can do anything which is permissible in terms of the truths of the characters. That’s all you have to care about.

Lorraine Hansberry. “Interview with Lorraine Hansberry by Studs Terkel.” Radio interview with Studs Terkel, broadcast on WFMT Radio, Chicago, Illinois, May 12, 1959. Transcript reprinted in “Make New Sounds: Studs Terkel Interviews Lorraine Hansberry.” American Theater (November 1984): 6.

If anything should happen—before ‘tis done—may I trust that all commas and periods will be placed and someone will complete my thoughts—This last should be the least difficult—since there are so many who think as I do—

Lorraine Hansberry, undated. In To Be Young Gifted and Black: Lorraine Hansberry in Her Own Words. Adapted by Robert Nemiroff with an introduction by James Baldwin, p. 261. NJ: Prentice-Hall, 1969.

Obviously, the most oppressed group of any oppressed group will be its women, who are twice oppressed. So I imagine that they react accordingly: as oppression makes people more militant, women become twice militant, because they are twice oppressed.

It is in the nature of men to take life for granted; only the absence of life will seem to you the miracle, the greatest miracle—and by the time you understand that it should be the other way around—well, it will be too late, it won’t matter then.

Lorraine Hansberry. From What Use are Flowers? in Les Blancs: The Collected Last Plays. Includes The Drinking Gourd and What Use are Flowers? Edited, with critical background by Robert Nemiroff, with a Foreword by Jewell Handy Gresham Nemiroff and an Introduction by Margaret B. Wilkerson, 254. New York: Vintage Books, 1994.

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In Her Own Words