Victoria Brownworth of Lambda Literary places “Twice Militant: Lorraine Hansberry’s Letters to The Ladder” in context.
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John Schwartz of the New York Times reviews “Twice Militant: Lorraine Hansberry’s Letters to The Ladder.”
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Artistic staff of the Oregon Shakespeare Festival talks about Lorraine Hansberry and this lesser known play that she wrote at the end of her life.
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Director Juliette Carrillo of the Oregon Shakespeare Festival talks about Lorraine Hansberry and this lesser known play that she wrote at the end of her life.
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In Lorraine Hansberry: A Museum Show and Opening the Archive, OutHistory offers several perspectives on the queer intersectionality of Lorraine Hansberry: “What I Love, What I Hate, What I Should Like,” “Opening the Restricted Box: Lorraine Hansberry’s Lesbian Writing,” and “Hansberry's Letters to The Ladder Quoted.”
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A new exhibition, “Twice Militant: Lorraine Hansberry’s Letters to The Ladder” examines a lesser-known aspect of the life of the award-winning author of the landmark play A Raisin in the Sun, who died in 1965 at the age of thirty-four. The exhibition features documents and publications addressing Hansberry’s identification as a feminist and a lesbian, and will be on view in the Herstory Gallery of the Elizabeth A. Sackler Center for Feminist Art from November 22, 2013, through March 16, 2014.
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The Portland Theater Scene says that The Sign in Sidney Brustein’s Window by Lorraine Hansberry at the Oregon Shakespeare Festival is a complex, unexpected portrait of the early 1960s